the artwork’s use of color presents a woman of vigor and action, while the poem does not. her face appears in the mirror, a reflection in a winter pond, rising to meet itself. the peach-dyed kimono patterned with maple leaves drifting across the silk, falls from right to left in a diagonal, revealing the nape of her neck and the curve of a shoulder like the slope of a hill set deep in snow in a country of huge white solemn birds. fingerprints of pollen some other hand will trace. she practices pleasure: the pressure of three fingertips applying powder. morning begins the ritual wheel of the body, the application of translucent skins. Which statement best compares the use of imagery and color in the poem and artwork to portray the woman? her hair is black with hints of red, the color of seaweed spread over rocks.
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